Skip to main content

10 Reasons Why Most Demo Recordings Are Rejected





                                                                             Original Article By Christopher Knab

"Getting a deal" has long been the goal of many would-be artists and bands. For mostly naive reasons most new artists and bands feel that by securing a recording contract with a significant major or independent label, success will be guaranteed. (talk about naivete). Even in this new era of "do-it-yourself" career building, many musicians figure all they have to do is send off their demo to a label, and a recording contract will come their way.

The following list of "10 Reasons Why Most Demos Are Rejected" was gathered together after years of listening to comments made by Record Label A&R reps at music industry conferences and workshops; as well as from personal interviews with reps, and from many interviews A&R reps have given to the press. In addition, I can verify that these observations are true from having personally listened to thousands of demos over the years.

Since there is little I can do to stop anyone from "demo shopping," (which I truly believe is a waste of time these days) the least I can do is try to improve the odds that your music will get listened to if you do send out your demos. This list will look at the most common mistakes musicians make when either shopping for a record deal, or trying to get the attention of A&R Reps with their demo recordings.

10 Reasons Demos are Rejected:

1. No Contact Information on CD, CDR and/or CDR container. Put your name, address, phone number, email, website URL, MySpace/Facebook address, on all submissions. 

2. Lack of Originality. Just because you can record, doesn't mean your music is worth recording.

3. The Music Is Good, But The Artist Doesn't Play Live. This applies to all genres of music except electronic and experimental music. 

4. Poorly Recorded Material. So you bought ProTools... so what... most submitted recordings sound horrible.

5. The Best Songs are Not Identified or highlighted on the CD or the CDR. (Send only 3 or 4 songs and highlight the best ones.)

6. 
Sending Videos In Place Of CDRs. Keep it simple. In the demo world all anyone wants is to check out your songwriting and musicianship. If you want to send a link to a video you have put-up on YouTube, that would be a better idea then sending a video disc or tape.

7. Sending Unsolicited Recordings. You sent them, but they never asked for them... which means they will probably mail them back to you.

8. Sending The Wrong Music To The Wrong Label. You didn't do your research to find out what labels put out what kind of music, did you?

9. Musicians Can't Play Their Instruments Competently. This is so basic, but you would be astounded at how incompetent most start-up musicians are. 

10. The Music Sucks. This criticism is as old as music itself. You may think your music is the greatest thing since frappacinos, but most demo recordings the industry receives are as bad as the first round contestants on American Idol.

Comments

Popular posts from this blog

WWE TLC - No Tables No Ladders No Chairs?

TLC Highlights  The WWE paper view definitely lived up to the hype, well i guess. The paper view itself was great. Every match on the card was exciting, entertaining but there was just one problem, no tables no ladders no chairs. To call itself a TLC paper view the only match that used anything of the sort was the main event. The rest of the nights card featured traditional matches in traditional style. As mentioned earlier over all the matches were great but if your going to call it a TLC paper view actually have matches involved with tables, ladders and chairs.  Asuka vs. Emma  Winner - Asuka  Cedric Alexander & Rich Swann vs. Gentleman Jack Gallagher & The Brian Kendrick Winners - Cedric Alexander & Rich Swann  Raw Women’s Champion Alexa Bliss vs. Mickie James Winner - Alexa Bliss WWE Cruiserweight Champion Kalisto vs. Enzo Amore Winner - Enzo Amore  Finn Bálor vs. AJ Styles Winner - Finn Balor  ...

Interview with The Forgotten 45's

1)  Where are we talking from today? A. At rehearsal, in a windstorm without power in Olympia, Washington trying to type by candlelight. 2)  How did you get involved in music? A. We are a team of 5 summoned by lord Zordon. Nolan (singer) Nolan's parents both had an appreciation for music and had him singing before he could properly form sentences. Introducing to him the music of the Beatles, Beach Boys, and Michael Jackson. Not much has changed, including his ability to properly form sentences or lack thereof. Cos (bassist) Cos's father was a strong influence in his musical career. Starting at age 7, he taught him how to play guitar, and encouraged him to play in the school jazz band from middle school through high school. At age 16, he got Cos a job playing bass at a local church. Cos met Michael during his freshman year at St. Martin's University, and that summer the band known as String Theory was formed, which has slowly transformed into The Forgotten 45...

13 Questions With J Curly Speegle

1. Where are we talking from today?      A. I'm in Nashville, TN 2. Where did you get your artist name from? A. I was the lead guitarist for Rock & Roll Hall of fame Leon Russell from 2005 to 2007.  When I joined the band I had long curly hair.  Leon mentioned to me after a couple of gigs that he thought that  "I ought to have a power name".  Hence that day, I became J. "Curly" Speegle...  He was big on that sort of thing.  His real name was Claude Russell Bridges, so it kinda made sense. 3. Music wise, what are you working on right now? A. I'm actually on a hiatus at the moment.  I started touring at 19 or 20 and stayed there for a lot of years, so I'm just enjoying a little downtime... 4. Who or what were the most significant influences on your musical life and career? A. Well, Leon Russell obviously.  But there are a lot more that are pretty significant as well.  There is a gentleman by the name of Owen...